Anubis

Ancient Egyptian God of the Dead, originator of embalming, protector of graves, Anubis was depicted as a man with the head of a jackal. One of his many functions was to stand in the Hall of Two Truths and preside over the scale during the Weighing of the Heart, a ceremony in which the heart of the deceased would be weighed against Ma’at’s Feather of Truth. If your heart was lighter than the feather, your soul was deemed worthy of passing through Duat, the underworld, and into Aaru, which is essentially an afterlife paradise. Too heavy, and your heart was eaten by Ammit, Devourer of the Dead, a lion/hippo bodied creature with the head of a crocodile. So keep that soul of yours pure.

This piece is part of the Fragment series, my interpretation of some of my favorite ancient artifacts.

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Each sculpture is cast in either bronze or resin, using a mold that I create from an original sculpture in clay. If you are curious about the sculpting, molding or casting process, let me know and I’ll gladly talk your ear off.

- Editions: Each piece is a limited edition. This means that if, for example, there are 6 in the edition, once the sixth piece has been cast the mold will be destroyed and no more will be available.

- Lead Time:

- Resin cast: roughly 2–3 weeks
- Bronze cast: dependent on the foundry, generally 12–14 weeks

- Bronze vs Resin: Each material has its own benefits and drawbacks:

- Bronze is the standard in fine art casting. It’s durable, beautiful, has a prestige about it, and will last essentially forever. It’s more reliable for outdoor use than resin, but it is also heavier. The casts are created using the lost wax method, which has been around for over 5,000 years. This process is very time- consuming and labor intensive, which increases the lead time and cost of the final piece. My bronzes are cast in the Portland area by an excellent foundry which does extremely good work.

- Resin casts I make directly from the mold myself, from start to finish. I use a gypsum-based resin composite that is fiberglass reinforced. It’s light, strong, and quicker and less expensive to produce than bronze. The material itself is an off-white color which I dye dark grey, then paint the final piece by hand to resemble a bronze patina. The casts are strong, but the painted surface can be somewhat fragile and easily scratched. Appearance-wise, it’s easy to mistake a resin sculpture for a bronze.

- Patina/paint:

- Bronze can be patinaed in a wide variety of colors. The metal is heated with a torch and various chemicals are sprayed onto the surface, each causing a reaction that creates a different color. The process is an art in itself, and no two pieces are exactly alike.

- Resin is hand-painted to give the appearance of patinaed metal. I paint several layers in different colors, which gives the piece depth and highlights the texture of the surface. Color options are nearly limitless.